Wabi-sabi and the Two Leonards

Small hand formed wabi sabi ceramic bowl.
Henpecked Bowl XXXII, Liz Crain, 2017

 

Wabi-sabi is not Shabby Chic. It is not trendy, modern or even post-modern. Not a theory, movement, aesthetic, philosophy, religion, art, process or product. And, then again, it can be and has been¬†all these. The separate meanings of the two Japanese words have changed over the centuries and their yoked-hyphenated concept morphs easily, especially when applied. But expressing it has a certain fatal pull for me so I’ve decided to just go all in.

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A Year Like No Other: Highlights, Hard Knocks and Epiphanies

Studio Dedication Altar Items and planning pages

 

Each December I take a moment to reflect on the past year and try to peer into the next. It’s an agenda-less non-ritual with a few symbolic visuals, good smells, candles, flowers, and cowbells. This year I carried objects of continuing fascination to my (slab-roller) altar. I also brought my lists: 2016’s Successes and Suckages and 2017’s Future Games. This writing is intended to be my last post for this year, so I will dwell on 2016’s Gumbo of the Sublime and see you back here bright and early in 2017 to discuss what else I can see on the creative horizon and how you and I can meet there.

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