Art Reception Food

June is a good month for outdoor arts events and receptions and I have been to plenty of them in only the past few weeks: First Friday in Santa Cruz, The Santa Cruz Art League’s 90th Anniversary weekend, Capitola’s Art at the Beach, and two sponsored by the Pajaro Valley Art Council of Watsonville, both devoted to sculpture: one in the gallery and one of garden sculpture at nearby Sierra Azul Nursery. (And I am honored to be included in both of their exhibits.)

I am not a veteran of the art opening reception circuit, because they were always an acquired skill in my book; one I just had no compelling need for. First off, an artist makes art, and I have been way too distracted by that alone for decades now. And, while I have looked at plenty of art in plenty of cities, visited artists, attended salons and dutifully read my art history and biography books, I kept forgetting to get to the Openings.

What I have learned by steeling myself and actually showing up at these functions (rather than taking the introvert’s way out and being ‘busy’) is they are only very subtly about the Art. HA! I knew it! They are really about people getting slicked up and celebrating themselves. Food, Drink and Music are always involved. The Art attends and then just sits mutely in the corner, avoiding the crush and watching the avocado dip turn black (as Dick Cavett once said he generally did.)

Depending on the venue, the reception food and drink can either be for purchase, totally or partially catered, sponsored by varying donors/advertisers, or even consist of a potluck brought by the artists themselves. Sometimes it is a combination of them.

Well, when I signed up to bring sushi to last Sunday’s mostly-potluck reception, I really intended to bring honest-to-goodness California Rolls. They are not expensive and it’s possible to whip out a huge trayful in no time. But it is so done. So when I Stumbled Upon (and it looks like you’re getting lots of sites to click over to in this post) a blog about a kid’s birthday party where both the activity and the party favors were faux sushi made from Kellogg’s Rice Krispie Treats (and I probably should add “TM” after that and all the rest of the ingredients) which are then rolled around Pull-n-Peel Twizzlers, Rainbow Twists, Gummi Worms and wrapped in Tropical Tie-Dye Fruit Roll-ups, I was enchanted and immediately changed my offering. It was still “sushi” right?

Be honest, were you fooled by the photo up top? Or did it look a little garishly photoshopped, even though it is not? (And you should see it when it is posterized, highly saturated, extremely hued and contrasted! Positively bilious.)

A platter of Faux Sushi is a sticky sticky sticky affair to manage, but pretty in a Red 40, Blue 1, Yellow 6 and Yellow 5 sort of way. If you have extra lumps of RKT mix you can make the nigiri with Swedish Fish wrapped to the top, as in the foreground. Not surprisingly, they tasted really sweet, too. One almost needs to wash them down with Fruit Punch, for the full kid’s birthday party effect.

So, how did they go over? I thought they were an artsy party funfood offering, but I don’t really know. I arrived with the early crowd, set them on the dessert table and never went back. I spent more time looking at the art, talking to friends and associates, and moving away from the too-piercing flute of the live jazz band to find out.

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Zend of the Semester

One of the many things I do during my week, besides making and blogging about my own ceramic art, is to help beginning ceramics students at nearby Cabrillo College in Aptos, CA. My special love is the handbuilding program, and this semester I volunteered in two classes taught by Kathryn McBride which met on Mondays and Wednesdays. I have a fairly long affiliation by now (25 classes worth, which I will describe sometime), and I have developed a delicious meta-awareness regarding the cycle of students and their passions, struggles and astonishments.

We just finished a profound Finals Week. Folks, the depth of discussion in the Ceramics Lab was Graduate Level. By that I definitely do NOT mean slinging some highfalutin’ BS about one’s ART, but a real attempt to describe this convoluted process in individual terms: learnings and meanings. What happens, for example, when you think you’re in for an Easy A by Playing in the Mud, and instead you find yourself curious and caring, confused and committed? Chalk one up for the misconceptions abounding about clay! Happens all the time.

Among the more common surprises to students is that there are hundreds of clay types, glazes and decoration possibilities and nearly as many firing options. Right now I would rank primitive pit firings as one of the most profound for students, electric and gas kiln firings as the most frustrating in terms of having to wait a long time for results and for NOT Getting What You Want, and Raku (pictured above) as the most terrifyingly giddy instant happiness ever.

What you see in the photo is that exact Zen moment of aliveness: that glowing kiln full of redhot pieces, emitting insane heat and sparkling with melted-glaze works that students are removing with gloves and tongs to transfer to their prepared reduction cans filled with sawdust and newspaper shreds, to smolder and cool and turn the unglazed clay black and the glazed areas crackly and flashed with metallic highlights.

At no time in a semester is there more presence and focus, except maybe when it is one’s turn in the Final to chat a bit about what happened to you in the past four months in Room 3013. In both cases, the observation of “how you do anything is how you do everything” is true.

I am happy at the end of most semesters: it is good to start and it is good to finish. This semester I am bursting with joy from the students’ loving descriptions of their engagement with this whole huge magnificent endeavor, because it matches my own.

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